Archive for » May, 2012 «

Q&A with Robert Parry

Today I’m posting Q&A with Robert Parry, author of “The Arrow Chest” and “The Virgin and the Crab”. Enjoy!

1)   Welcome to Queen Anne Boleyn Website! Could you share with us a little about yourself and your background?

I am an English writer of English historical fiction. My work spans the Tudor, Georgian and Victorian eras – but I like to explore the whole area of dreams and the unconscious as well as the facts and events of history. What people thought and imagined is every bit as important, I feel, as what they actually did – and so I try to convey this aspect of the past as much as possible in my stories.

2)   I have finished “The Arrow Chest” and I was impressed with your style of writing and ability of blending histories. How did you get an idea of writing about Anne Boleyn’s story set in Victorian background?

There are already so many novels and films about Anne Boleyn that I wanted to come up with something fresh.  And because I wanted to explore the psychological and emotional dynamics between the characters that surrounded her during her tragically short life I decided to loosen up and move the whole story forward into a different era. Victorian Gothic (19th century) is a perfect place to put Henry VIII and Anne because the Victorian age has lots of parallels to that of the Tudor periods. There were powerful men – ‘kings’ in their own right. There were beautiful elegant women, and there were the fabulous poets and painters of the Pre-Raphaelite movement. So it was not difficult to find placements for Anne, Henry and for Thomas Wyatt in that kind of environment. But it was also a suitable match because it was a time which underwent its own very powerful crisis of faith and identity – similar to that experienced at the time of the Reformation of the 16th century. The Victorians had the advent of Darwin’s theory of evolution, and the threat this held for the established Church. The horrors of Anne’s execution and the sinister plots that festered in the background at the time of her fall also fit perfectly into a Gothic setting. The author and reader are then both liberated in a sense to explore and speculate about what might really have taken place, not in a sense of dry facts and events, but on a deeper, more fundamental level of raw emotion.

3)  Amos and Daphne are linked to Thomas Wyatt and Anne Boleyn; are they also a combination of other historical figures?

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“Le temps viendra” by Emily Pooley, the creator of Anne Boleyn’s waxwork

Today we have a guest post by Emily Pooley, creator of Anne Boleyn’s beautiful wax work that is currently on display at Hever Castle. Emily kindly agreed to write an article about her interest in Anne Boleyn and how this wonderful wax figure was made. Enjoy!

Le temps viendra.

– by Emily Pooley, technical and special effects artist for television, film and live events.

At this moment, I am sipping a cup of tea looking out of my parent’s office window to the bottom of garden where I would sit for hours with my best friend Holly, patiently carving sticks into stakes -ready for our first encounter with vampires on our next trip to the woods down the road. Buffy the Vampire Slayer was an idol of ours you see – 6:30pm, BBC2, telly on full volume for the intro music. We would train for hours, using the swing as an assault course, passing levels that we would invent.. preparing ourselves. When we created a sufficiently sharp point.. off we went. Deep into the woods.

What, I hear you cry, has this got to do with Anne Boleyn? Buffy was my first encounter with a strong and independent female role model. We were inspired and empowered enough to come face-to-face with a pointy-toothed demon and fight to the death. Of course, there was never any real threat and I have since been dragged kicking and screaming into the serious world of adulthood.. and I found myself looking to a real lady for inspiration, with an incredibly powerful story.

When our GCSE exams were over (finding that miraculously my method of cramming in as much research into the night before actually worked) it was time to plan ahead – what on earth was I going to do!? Like a large number of girls my age, my first port of call was: Vet. But after spending a long week of work experience at a veterinary clinic, clearing up ‘presents’ from the animals as they called it, the reality of work really set in. Don’t worry, Anne is near – ‘le temps viendra’ people!

I sat at home flicking through prospectuses for colleges deflated and racking my brains. This was interrupted by my weekly unmissable dose of Doctor Who. Again, full volume for the intro. Next came Doctor Who confidential on BBC Three courtesy of our brand new digibox, where Neill Gorton talked through the creation of one of his prosthetic monster make-ups. It suddenly dawned on me that people actually made a living out of making these things! This would be the programme that would set me on a path to a career in special effects in television and film.

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